A magic cold iron weapon always functions as a ghost touch weapon when used against a bhuta.Įnvironment any above-ground natural area Cold Iron Weakness (Su)Ī cold iron weapon is considered to be magical when used against a bhuta. The bhuta heals 5 hit points when it drains blood. The target takes 1d6 points of Constitution damage (Fort DC 23 for half). Skills Bluff +16, Escape Artist +9, Fly +15, Handle Animal +14, Knowledge (nature) +8, Perception +13, Ride +9, Sense Motive +13, Stealth +24Īs a standard action, a bhuta can suck blood from an adjacent opponent that is taking bleed damage. Str -, Dex 25, Con -, Int 11, Wis 8, Cha 22įeats Animal Affinity, Dodge, Flyby Attack, Iron Will, Lunge, Mobility, Stealthy Spell-Like Abilities (CL 11th concentration +17)Īt will- animal trance (DC 18), speak with animals, veil (self only, as animal with backward feet DC 22) Special Attacks bleed (1d8), blood drain (1d6 Constitution)
HUSHARU PATHFINDER PLUS
Melee 2 incorporeal claws +17 (5d8 plus bleed) The writing is decent for the terrain.ĭirector Shankar’s Boys that came more than and a decade ago and many other films of the same time made back then and before.Init +7 Senses darkvision 60 ft., scent Perception +13ĪC 24, touch 24, flat-footed 16 (+6 deflection, +7 Dex, +1 dodge)ĭefensive Abilities incorporeal, channel resistance +4 Immune undead traits There are many scenes which end and begins abruptly. Many simple scenes are elevated due to the effort in the bgm. Radhan and Sunny MR have done superb work. Music and background score is a major highlight of the movie. Rahul Ramakrishna who arrives at a crucial moment in the second half is a scene stealer and entirely sidetracks the plot for a brief period. The few moments they do have are clichéd one’s and feel irritating. Abhinav works well in few scenes towards the interval.Īmong the ladies, Daksha Nagarkar and Priya Vadlamani none have a significant role apart from acting as the love interest of the respective male leads. Tej is superb in a few comic moments along with Dinesh with whom he has shared more screen space.
Their qualities, more than the performances are well done. They all have been given different characterisations that make them stand out individually. Tej Kurrapati, Abhinav Chunchu, Dinesh Tej are the other male leads apart from Tejus. On the whole, Husharu has its moments that are funny, but the inconsistent narrative and predictable drama kill the fun. A proper crescendo of emotions would have elevated even the predictable premise. The fun parts feel like coming after bigger gaps. The second half especially feels stretched a lot due to this issue. Whenever the track shifts there is a feeling of an abrupt change in tone from comedy to drama and in various other ways. The subplots involving a couple of characters are not smoothly integrated into the narrative. The bad news is the inconsistent blend of emotions and an incoherent screenplay that makes the proceedings dull despite the entertainment on offer. Good news for Sree Harsha is the comedy and camaraderie works. In short, Sree Harsha has a decent vision to keep things engaging knowing the predictability on offer otherwise.
HUSHARU PATHFINDER MOVIE
It is Pellichupulu kind of movie meeting Boys. There is also an idea to keep things real. Director Sree Harsha Kanuganti tries to spice up the predictable proceedings with adulterated humour and jokes. Husharu has a very old and predictable plot. In the end, he remains one among the others, which in a way works to the movie’s advantage, but standing out as the hero wouldn’t have hurt the narrative either. He has that quality, and the character design too helps, but Tejus never takes it to the next level. Tejus Kancherla gets the led sort of character among the multiple actor casts. What is the lesson they learnt at the end is what the movie is all about? The trials and tribulations of a gang of friends from school days until the settlement.
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